Winter 2025 Artwork History

I have been meaning to write this story for a long time, but I had little time to sit down at the computer. Today I chose a few hours to pay attention to you and write down this story. And all this is winter 2024-2025. I had many changes in work, stopped working in a public organization, switched to a more creative artistic focus and opened my archives to see what I am most successful at ,what I am bad at.

There is snow outside, cleaning every day. It is cold and most importantly, cloudy, absolutely no sun. I live in the northern part, in the northernmost country, although in its southernmost city, but the sun is not a frequent guest here in the middle of winter.
My works are most recognized among artists and it has become established for me that I can show winter beautifully.
For paintings created in different years, I received many prizes and titles specifically for winter landscapes.
To speed up and warm up, I created the first two landscapes.
For me, they are the same, in motive. As a creator, I played with shades and I succeeded.
The size of the paintings is 5 x 7, created with acrylic on canvas.

Here the snow cover is not deep and the river has not frozen yet. It was interesting to draw each bush of the plant, each leaf of the tree and grass.
It was immediately taken away.
The second one is more monochromatic, it is already a slightly different time of winter, the snow is like glass, the plants are frozen and icy. A little fog at such a time. The river has merged in tone with the sky.
This painting was not taken away.

It remained. And I wanted to draw something from the winter landscape again.
Then I decided not to stop, to create more and this painting turned out.

I decided to create a painting right after the icing. Forest. Trees were damaged, broken tree branches. And to mark, highlight it in red. That’s how this painting came about.Ppainting’s size 10x 8.Acrylic on canvas.
As soon as I showed it, it was immediately taken away. It didn’t stay in my gallery for long.

And I put my work aside, because outside the window there was everything that created material for my creativity.
And here is this painting, soft fluffy snow on a large semi-field near a farmhouse. A small path that leads to the house, freshly trampled by people.
The turning point was a trip during a snowfall to the north, to Huronia.

It was after this trip that I realized that we are lucky, Toronto residents. It snowed, we raked it out, removed the cars and now we are running around in puddles again. And all the people to the north, west and east of us – there they stock up on food and firewood in the fall and during snowstorms they dig small paths, leaving cars and fields under the snow until better weather. That’s just our weather.
The painting is 10 x 8,acrylic on canvas and again flew to its buyer.

And I was left with one work, as a memory of these works.

This artwork had been lying around for a long time, it ended up on sale at Saatchi and was selected for an exhibition in Etobicoke. The ice storm in this painting was just too realistic.

July came, hot, intense and active. I met with Hatcher and this painting, my last masterpiece of this winter collection, went to her collection.

7 x 5 acrylic on canvas.

The entire winter collection was sold out.
I was left with photos of the works and pleasant memories of winter.
After all, not everything should be gray and sad.
Although later there were serious health problems, but even now, remembering, I smile.
My works flew away from me.
How wonderful it is.
I was left with my inspiration and strength for the next collection

I invite to the exhibition

I invite you to the exhibition next week.

 

If you art lovers and if you live in Toronto,I invite to the exhibition which will open next week in Queen Gallery (382 Queen Street East,Toronto)

My submission for Alefba Juried Art Exhibition was approve and my  artwork has been selected.

EXHIBITION: April 18 to April 28
OPENING RECEPTION: Wednesday, April 18, from 7pm to 9pm
CLOSING RECEPTION: Saturday, April 28, from 4pm to 6pm
I invite everyone who adores art and want to visit this festival of culture and enjoy the atmosphere.
This year the exhibition is devoted to caligraphy.
I already wrote in the previous post …….
I liked to work in this direction. It’s an amazing feeling when you create something that gives the painting with double meaning-name (caligraphy) and an image.
I studied the Arabic language. Now I just remembered him and drawing, saw in the bends-sense.
I will present several pictures at the exhibition.
I will tell you about each of them today.
I invite- to the exhibition
The first is a ,,Cat,,

It was slowly being created.
I drew it using a mixed relief technique.
Iinvite to the exhibitio
Covered her with oil paint.
I invite to -the exhibition
A light tone gave a very large volume. I did not see the point in it and painting was lying  for two years.
When I sorted through the paintings that I keep in a certain place, I saw this work, I touched it. I really like her relief. But then I put it back, because it did not fit the topic where I was working in at that time.
That continued until I was invited to participate in the exhibition.
I opened the files with all the photos of my works. Again this picture interested me. I took it out. Moved fron side to side. I looked.
I invite to the exhibition
I had an idea, in the waves that were in the picture, to put a blue thin lazy cat))
It took several minutes. I changed the background from pink to bluish. When the painting was finished and I photographed it, I was already confident that ,,Cat,, would get to the exhibition.
I even wrote about this in the previous post (see below)
This was confirmed by the jury, taking the painting to the exhibition.
So my blue lazy cat went for a walk around Toronto))
I invite tothe exhibition
 Cat (2017)
size:16” x 20” x 1”
medium:mix technic,oil,canvas,varnish
Available for purchse
Another interesting story occurred with a triple-scale work.
I invite -to the exhibition-
This work is more of a decorative nature.
I invite- to +the exhibition
It’s also about two years old.
I _invite t_o the exhibition                   I invite _to the exhibition      I invite to _the exhibition     
The same embossed stucture technology.
I made it from three different sized canvasses. In the central canvas, an oval framed by a relief.
Side panels as crescents mirror the central image.
I -invite -to- the exhibition
Here I worked more on toning the relief.
I- invite- to the exhibition
In the end, I highlighted some curves. They showed up very nicely.
The painting also stood for a long time, it, like the previous one, dried up and gave its basic color.
When I looked at it, I saw on it the Arabian caligraphy. I finished it just recently and prepared it for the exhibition. In the end, I covered it with varnish for safety and preventing discoloration and contour.
Decor(2018)
Size:14” x 34”x1”     30”x’36”x’1”     14”x’34”x’1”
medium:oil,canvas,mix technic,varnish
Available for purchse

Both of these paintings will be presented at the exhibition which opening  April 18 and closing 28 April.
In parallel with the preparation for the exhibition, I’m preparing to sell my work, which will be held on April 21 in Halendas/Dundas Street West
Do not miss, only one day from 7 am to 7 pm.

And one more great event, to which I am preparing. This is the teachers’ meeting in Toronto, which will be held in early May.
I will take part there and show my works. This is also a sale.
I invite all of you.


About the preparation for it, I’ll tell you a little later
I -invite to the exhibition