This my painting very soon will be exhibited at the spring exhibition in Toronto.
It will be prepared and changed.
It will appear geometric hieroglyphs as a symbol of the spring exhibition 2018.
We’ll talk today about this and other things that worry me.
Often, when we draw, we start drawing with lines, circles and waves.
It connects into an image becomes a picture,painting.
If we enter our subconscious, we will understand an interesting discovery.
Imagine that we are drawing our codes, we draw unconsciously that the ancestors drew on rocks and stones, advanced from generation to generation.
Studying ancient wall inscriptions in Mesopathamia, Egypt, China and Ukraine, I came to the conclusion that this is the beginning of our art,our painting process))
Million repeating lines and circles, as a result, give an image of the picture, where, if you look closely, there are ancient hieroglyphs.
And has no meaning in which country or when this image appeared.The line is line,the waves is waves.
All the ancient rock carvings are almost identical in spelling and have one meaning:they carry their code, their continuation, their symbol to subsequent generations.
Most of them are narrated about hunting and victory over an animal, or about the life of a tribe, or about a crop or a crop failure.
In any case, something extraordinary that needs to be fixed and left for generations to remember.
And just art that stretched the thread from ancient times to modernity.In modern painting, it is easy to find an image, сreated by several hieroglyphs and reflecting the drawn image.
I draw some kind of inner line and meaning between drawing in the old days and modern. I see an absolute coincidence and similarity.
As an artist, I always start painting, having the idea of something to portray or tell or leave for the next generation.
What amazed me was that, considering the paintings of contemporary or previous artists, you are always inspired by these paintings when you stop near they.
Paintings impress with meaning or idea.It is true.
And this is that invisible discovery, that thread of connection between ancient writing and modernity.
The paintings attract the eye.
And when you look at them carefully, you see both lines and waves and circles.
All the same simple symbols invested in our consciousness by our ancestors.
This, probably, and beckon us into artand it is intrigues .Always, somewhere tickles the feelings, plays with subconscious.
I want to show on this example.
There are women on painting.
To draw a female silhouette easily.
Women’s silhouettes are the smooth repetition of lines.
This is the image from Trypillian wall .This image is encrypted into the image of the bull’s head, carrying the code of the female body, wealth, procreation and full circle of life.
This is the code given to us in the generation with the symbol of the continuation of the genus, with the symbol of eternity and with the symbol of heritage.
In wall paintings we find them in unchanged images))This symbol is preserved unchanged in modern painting and carries all the same meaning and idea.
I now study a bit of ancient hieroglyphs and got the idea that time has not changed us.
We remained the same, bearing the code of our life, our eternal existence.
Maybe there are some modern changes that are very thin and sensitive to me.
I followed this trend that, alongside the image of great battles and harvests, portrayed the beauty of a woman and her strength is present too.
The modern world has changed to a woman. And this is sad for me. I fill that.And this will affect our next generations.
But I’ll tell you the next time))
